One can read the cypher of Italian design, perceiving ironic touches, admiring the ever-lasting material.
Matteo Cibic encounters Mmairo and Homage is born. A tribute to marble, which is no longer an impenetrable material, but part of the everyday, laughing and having fun; a tribute to the sculptural expression of Carrara, a glorious chapter of Italian art history, from Gothic lavishness to site specific design.
Form follows Cibic’s ideas, who never compromises on anthropomorphism and joy, recalling the ancient faces of tribal sculptures, masks and idols. With – Homage – he conjures African Art embraced by Amedeo Modigliani, the painter and sculptor from Livorno capable of “allowing the lines to emerge”. Lines that fascinate Cibic, who from a vase creates a cheerful face offset by protruding ears; a fruit bowl inspired by a tribal mask; and a cake stand in Red Levanto can be a flag with White Michelangelo and Black Marquinia, as if suggesting that the merger of opposites were possible. And how: the colours and marbles in Cibic’s pieces, tell of lucky encounters and happy times, celebrated by unforgettable objects.